Los (de)pendientes

“Using images from Argentine revolutionary films made between 1956 and 2006, (De)pendientes is a major step forward in the reflection on the history of cinema.
Without words, considering the past, it tells of visual works that were faithful to the real issues of their times; in terms of the present, it shows the poverty of the conditions of safeguarding these crucial images of life and struggle; in terms of the future, it shows the work we still have to do in order to reconstruct a just and true history of cinema; in terms of eternity, it is an auratic poem of living shadows.” (Nicole Brenez)